I am excited to be performing repertory for two pianos with the wonderful pianist and now colleague at Simon’s Rock, Manon Hutton-DeWys. We will be matching our trusty Steinway B (on the left in the picture) in Kellogg with a newly acquired Mason and Hamlin BB (on the right) to present great compositions that exploit the medium of piano duo, in sonority somewhere between solo piano and full orchestra. Our varied program includes Brahms’s Sonata, an alternate version of the great Piano Quintet in F minor; Debussy’s late, dramatic “En Blanc et Noir” composed during World War I, with poignant expressions of French patriotism; Stravinsky’s spare, neoclassical Sonata, and Copland’s joyful “Danzon Cubano.” We invite you to celebrate Labor Day weekend with us on Saturday, September 1 at 7:30.
The first two concerts this summer season by the Tanglewood Music Center Orchestra were among the best I have heard in several decades. The energy level was palpable. The intensity of the playing, particularly the strings, was a marvel. The two greatest challenges for the ensemble were Strauss’s Ein Heldenleben and the Leonore Overture No. 3 of Beethoven.
At the risk of repeating myself, I must once again give my best praise to Aston Magna’s concert, “Dueling Violins, Genial Gambas,” on June 30 at Saint James Place in Great Barrington. Though I am not on the lookout for poor performances from anyone, I am continually amazed at the high level of the participating artists in this group. The style has become an easy, normal thing, speaking clearly to us centuries later in large part because of the ease these wonderful players show.
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