Dejan Lazic. Photo by Susie Knoll.

Shakespeare and Egypt?

Shakespeare-inspired opera, ballet, and tone poems formed the frame-work for this colorfully varied program, somehow containing the non-Shakespearean and infrequently heard Saint-Saens “Egyptian” Concerto. A charitable stretch might imagine a reference to “Anthony and Cleopatra,” but thematic consistency is not necessary for an interesting afternoon of music.

Gil Shaham’s Tchaikovsky and Bach: Double Virtuosity

Gil Shaham’s double appearance at Tanglewood made a powerful statement: that he was the master of both ends of the spectrum of virtuosity, with the implication that every other challenge would fall somewhere in between. On the one hand, there was a visceral, mercurial, spontaneous and totally commanding performance of the Tchaikovsky concerto, a work whose technical challenges are so great that it was supposed to have been declared unplayable by its intended first performer.

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