Elijah Alexander as Claudius and Kate Maccluggage in Mark St. Germain's Gertrude and Claudius at The Barrington Stage Company. Photo Daniel Rader.

Gertrude and Claudius at Barrington Stage Company

For some time now, there has been a tendency for directors and actors of Hamlet to treat the protagonist’s mother and uncle/stepfather with more tolerance than in the moralistic past. Shakespeare doesn’t oblige us to view them as outright villains or to see them—or the deceased King of Denmark—from Hamlet’s eyes, but that’s what has usually happened. In the late 1990s John Updike took this about as far as it can sensibly go in his novel, Gertrude and Claudius,

Freud’s Last Session by Mark St. Germain, Barrington Stage Company

Mark St. Germain’s Freud’s Last Session, which is receiving its permiere at the Barrington Stage Company this month was inspired by Armand Nicholi’s valuable little book, The Question of God (2002). Dr. Nicholi, a practising psychiatrist, teaches at Harvard Medical School and Massachusetts General Hospital and has also taught an undergraduate course on Freud for many years at Harvard College. Written in very simple, clear prose and taking nothing for granted in the reader, even that the reader knows who Sigmund Freud and C. S. Lewis were, he compares their thinking on the existence of God and other related matters, in such a way as to suggest a debate, between the two. Lewis, a generation younger than Freud, was influenced by him during the earlier part of his life, when he professed atheistic beliefs. In The Question of God, which I did not know before seeing this production and which is readable by almost anybody, Dr. Nicholi accomplishes an extremely important task with unparalleled success: he demonstrates that it is by no means necessary to believe in God, but that it is necessary to define one’s beliefs and to think about them in a rational way.

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