Riccardo Chailly, not only one of the great conductors of our time, but one of an even smaller group who have exercised a truly formative influence on contemporary musical life through his championship of twentieth and twenty-first century music—through his many recordings, most of them for Decca, which he has produced since the beginnings of his career in the late 1970s, and through his long tenure as chief conductor of the Concertgebouw Orchestra Amsterdam (1988-2004), and now, since 2005, as Kapellmeister of the Leipzig Gewandhaus Orchestra. If you survey the most prominent music publications, you will find many accolades, “artist of the year,” “best recording,” etc., and you will find many of his recordings recommended as the best available or the “recommended choice.” His fresh, individual interpretations, always based on a close study of the score, as well as his close relationship with a single recording company over many years, have resulted in recordings in which his ideas and the sound of his orchestras and their halls are communicated with exceptional vividness and presence.
David Hoose continues his conversation with Michael Miller about his education, about conducting and conductors, the BSO, Seiji Ozawa, James Levine, and Gustavo Dudamel.
This thoughtful and lively program of Baroque and modern music is typical of the Cantata Singers, who in recent years have been building their season programs around a single composer, this year Heinrich Schütz, the greatest predecessor of the central figure in the group’s mission, Johann Sebastian Bach. This gave me an opportunity to continue our podcast series in conversation with David Hoose, the Cantata Singers’ Music Director for the past 26 years. Since then Mr. Hoose has been one of the central figures in the Boston music scene.