Front to back: Peter Maloney, Anne Bancroft, Arthur Penn.

Stockbridge: Summer 1966, A memoir of the Berkshire Theatre Festival’s inaugural season — Part I (of 3): Beginnings and Arthur Penn’s Production of The Skin of Our Teeth, with Anne Bancroft

Arthur Penn saw his chance in a proposal that the Hungarian writer/director George Tabori and his wife Viveca Lindfors made to the board of directors of the Berkshire Playhouse in Stockbridge, where Penn and his friend and colleague William Gibson happened to live. The Playhouse had operated for decades as a typical summer stock theater, often featuring stars in leading roles, but what was known as “The Straw Hat Circuit” was fading in popularity and the theater’s board of directors, hearing Tabori and Lindfors’ proposal, decided to try a different approach to summer theater.

Allyn Burrows, Artistic Director of Shakespeare and Company

Allyn Burrows, Artistic Director of Shakespeare and Company, talks to Michael Miller about the 2018 season, directing, acting and actors, and, of course, Shakespeare.

With Shakespeare and Company’s Winter Studio Festival of Plays drawing to a belated conclusion, because of a fierce winter storm, and the press announcement of the 2019 season coming up, it seems a particularly opportune time to publish the Podcast of my interview with Artistic Director Allyn Burrows about the highly successful 2018 season.

These people are ready for Richard. Are You?

We are already well into the series of performances of Shakespeare’s early masterpiece, Richard II. The only one of his plays to have been written entirely in verse, it has long been treasured for the poetic beauty of its sad tale of a failed monarch. As rich as this stream in the play is, Shakespeare never neglected the toughness of the genre of history plays he helped to create.

Allyn Burrows emerges from a chest in "Or" at Shakespeare & Company, 2016. Photo Ava G. Lindenmaier.

Allyn Burrows, Shakespeare and Company’s New Artistic Director, talks to Michael Miller about the 2017 season…and much else.

Shakespeare and Company, a presence in Lenox since its foundation in 1978 by Tina Packer and Kristen Linklater, has undergone some seismic challenges in recent years, and there has at times been some concern about its future, but it continues to soldier on with its richly and solidly matured education programs and performances that seem to only to get better and better. Now, following a brilliant season (2016) and looking forward to what promises to be another equally exciting program this summer, all the upheavals seem basically of academic interest, and I’ll let you wait until someone publishes a history of this company, which wears its laurels so lightly that some, I believe, underestimate just how important it is, not only for the history of Shakespeare performance in this country, but anywhere.

Tracy Letts’ August: Osage County, directed by Omar Sangare, at Williams College

Every spring for some years now the brilliant Polish actor-director-playwright-poet Omar Sangare has created extraordinary productions at the ‘62 Center for the Performing Arts with his acting students at Williams College, and they keep on getting better. All of them have been highly unusual. There was a double-cast A Streetcar Named Desire: by that I mean that it was performed by two separate casts almost, but not quite simultaneously. Far from an weird distraction, the device emphasized the universality of the play…and gave the many interested student actors a chance to perform.

The Consul, the Tramp, and America’s Sweetheart, by John Morogiello, at the Oldcastle Theatre Company, Bennington

The Oldcastle Theatre Company is one of the most appealing in the Berkshires, which, culturally, extends from northwestern Connecticut to Dorset and Weston, Vermont. Downtown Bennington has a unique feeling to it—small-town in the best sense—and is home to a respectable array of bars and restaurants for audiences to enjoy anticipation or a cool-down before or after the show. Keith Kibler has been chronicling and enjoying—very much—Oldcastle’s productions for some years on our site, and I was happy finally to catch a show myself.

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