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Hudson-Housatonic Arts

Formerly the Berkshire Review for the Arts. Performances, Exhibitions, Articles, and Interviews about the Arts from the Berkshires and Hudson Valley

HomeThe Latest on Hudson-Housatonic Arts

The Latest on Hudson-Housatonic Arts

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Our Time, a Collage of Records from Williams, a 90th Birthday Tribute to Stephen Sondheim (’50) at Williams College – a Review
March 26, 2020
By Michael Miller
Happy Birthday, Stephen Sondheim! …from his alma mater, Williams College
March 22, 2020
By Michael Miller
Florent Schmitt’s “Légende” and “Oriane et le Prince d’Amour” with Debussy and Rachmaninoff—the Buffalo Philharmonic under JoAnn Falletta
March 18, 2020
By Steven Kruger
Evening all Afternoon: A Chilly Season Warmed by Capital Region Classical at Union College
March 15, 2020
By Seth Lachterman
Fabien Gabel conducts the San Francisco Symphony in Dukas, Zigman, and Saint-Saëns, with Jean-Yves Thibaudet, Piano, and Jonathan Dimmock, Organ
February 26, 2020
By Arts Press
Richard Wagner, I maestri cantori di Norimberga (or, rather Die Meistersinger von Nürnberg), Sung in Italian, Beautifully
February 10, 2020
By Arts Press
Ronald Gorevic and Larry Wallach will play Beethoven Violin Sonatas 3, 5, and 10, completing their complete traversal.
February 9, 2020
By Larry Wallach
Bard Music Festival 2019: Korngold and his World (REVISED)
December 16, 2019
By Michael Miller
A Korngold Festival! Two from the Bard Music Festival, 2019, as well as Two New Recordings
December 12, 2019
By Arts Press
A Fine New Recording of Korngold’s Masterpiece, Das Wunder der Heliane
December 7, 2019
By Ralph P. Locke
A Crop of Recordings XXIX: Magnard, Bruckner, Korngold, and Vaughan Williams
December 5, 2019
By Steven Kruger
The Bard Music Festival—Erich Wolfgang Korngold’s Trajectory: the Symphony in F#, Music for Hollywood, Chamber Music
December 5, 2019
By Larry Wallach
A Crop of Recordings XXIX: Magnard, Bruckner, Korngold, Vaughan Williams
December 5, 2019
By Steven Kruger
Wire and Light Legerdemain: Richard Harrington’s unique art at MCLA Gallery 51, North Adams, Massachusetts
September 24, 2019
By Seth Lachterman
TUNDI’s remarkable Tristan und Isolde at the Latchis Theatre in Brattleboro, Vermont
September 17, 2019
By Michael Miller
A Singer’s Notes 154: Johann Pachelbel, Johann Sebastian Bach, Antonio Vivaldi, and Heitor Villa Lobos
September 2, 2019
By Keith Kibler
A Singer’s Notes 153—Shakespeare and Company: Two Outdoor Performances: The Taming of the Shrew and The Merry Wives of Windsor
September 2, 2019
By Keith Kibler
A Singer’s Notes 152: National Youth Orchestra of the United States at Tanglewood, Sir Antonio Pappano conduction, with Isabel Leonard, Mezzo-Soprano
September 2, 2019
By Keith Kibler
Wagner’s Die Walküre and Verdi’s Requiem under Andris Nelsons at Tanglewood
August 27, 2019
By Michael Miller
A Singer’s Notes 151: Giancarlo Guerrero leads the TMC Orchestra in Mahler’s Fourth Symphony
August 27, 2019
By Keith Kibler
A Singer’s Notes 150: Tchaikovsky at Tanglewood
August 27, 2019
By Keith Kibler
Sibelius Pivots to the Symphony
August 27, 2019
By Larry Wallach
An Immersive Tristan und Isolde, Performed to the Highest Standards at the Latchis Theatre, Brattleboro, Vermont, by TUNDI. Last performance Sunday, August 25, at 10 am.
August 24, 2019
By Michael Miller
Rameau, Scriabin, Beethoven: Who Provided the Contrast? Juho Pohjonen, pianist, at Tannery Pond
August 2, 2019
By Larry Wallach
Gertrude and Claudius at Barrington Stage Company
August 1, 2019
By Michael Miller
Two Premieres and Revival of a Standard and a Forgotten Charmer at Tanglewood: Asbury, Aspinall, and Farrell Conducting the TMC Orchestra; Intimacies of O’Keefe and Stieglitz by Kevin Puts Premiered by the BSO under Nelsons
July 31, 2019
By Michael Miller
Ives Revealed: the four Violin and Piano Sonatas, along with Some Hymns used in the Sonatas
July 31, 2019
By Larry Wallach
A Singer’s Notes 149: Twelfth Night or What You Will at Shakespeare and Company—Not to be missed! Closing August 4th!
July 31, 2019
By Keith Kibler
Subtlety in the Shed: an Oxymoron? Nelsons and the BSO play Stravinsky’s Petrushka and Gershwin, with Jean-Yves Thibaudet
July 27, 2019
By Larry Wallach
Conor McPherson’s The Night Alive at the Chester Theater Company
July 20, 2019
By Michael Miller
Tanglewood Music Center Orchestra conducted by Killian Farrell, Nathan Aspinall, and Andris Nelsons, with Thomas Rolfs, trumpet soloist; July 8, 2019: Iconoclastic Shostakovich, plus Bombastic Tchaikovsky, Ingenious Glanert, Giddy Berlioz: the TMC Orchestra’s First Concert of 2019
July 12, 2019
By Larry Wallach
Tanglewood’s Boston Symphony Orchestra Opening Night, Friday, July 5, 2019: Mozart Piano Concerto in E Flat, K. 482 and Mahler’s Fifth Symphony
July 12, 2019
By Larry Wallach
Stockbridge: Summer 1966, A memoir of the Berkshire Theatre Festival’s inaugural season — Part III, Conclusion
May 31, 2019
By Peter Maloney
Stars Crossing in New York’s Electric City
April 28, 2019
By Seth Lachterman
Stockbridge: Summer 1966, A memoir of the Berkshire Theatre Festival’s inaugural season — Part II (of 3): George Tabori’s Production of The Merchant of Venice, set in a Nazi concentration camp
March 20, 2019
By Peter Maloney
Stockbridge: Summer 1966, A memoir of the Berkshire Theatre Festival’s inaugural season — Part I (of 3): Beginnings and Arthur Penn’s Production of The Skin of Our Teeth, with Anne Bancroft
February 26, 2019
By Peter Maloney
A Crop of Recordings XXV: Gliere, Respighi, Lortzing, Antheil, and Wagner
February 21, 2019
By Steven Kruger
Allyn Burrows, Artistic Director of Shakespeare and Company, talks to Michael Miller about the 2018 season, directing, acting and actors, and, of course, Shakespeare.
January 27, 2019
By Michael Miller
A Crop of Recordings XXIV: Rued Langgaard, Ruth Gipps, Hubert Parry, Vilhelm Stenhammar, and Witold Lutosławski
December 26, 2018
By Steven Kruger
Tod Machover’s Schoenberg in Hollywood, by the Boston Lyric Opera
December 4, 2018
By Charles Warren
Actor Gary Hilborn and Playwright Michael Miller received the Award for Best One-Man Drama at the United Solo Closing Gala for “Transfiguration.”
November 25, 2018
By Arts Press
WAGNER: Lohengrin under Rudolf Kempe from Bayreuth, 1967
November 5, 2018
By Ralph P. Locke
Sawyers, Goldmark, and Sibelius by David Lockington and the Albany Symphony Orchestra with a triumphant violin performance by Dylana Jenson
October 29, 2018
By Michael Miller
A Crop of Recordings XXIII: Barenboim’s Brahms, Orozco-Estrada’s Strauss, Szell’s Walton and Stravinsky
October 2, 2018
By Steven Kruger
A Singer’s Notes 148: As You Like It in the Outdoor Garden at Shakespeare and Company
September 10, 2018
By Keith Kibler
More Strength Than Mystery—the Musical Spaces of Adès and Sibelius
September 10, 2018
By Larry Wallach
A Singer’s Notes 147: A Quiet Place
September 9, 2018
By Keith Kibler
A Singer’s Notes 146: August Strindberg’s Creditors at Shakespeare and Company
September 9, 2018
By Keith Kibler
The Devil, Greed, War, and Simple Goodness: Ostrčil’s Jack’s Kingdom (1934)
August 26, 2018
By Ralph P. Locke
LACI BOLDEMANN’S SVART ÄR VITT SA KEJSARN (BLACK IS WHITE, SAID THE EMPEROR): A FAMILY-FRIENDLY FABLE FROM SWEDEN (1965)
August 25, 2018
By Ralph P. Locke

August 17, 2011

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About Hudson-Housatonic Arts

About Hudson-Housatonic Arts (formerly The Berkshire Review for the Arts): Theatrical Performances, Concerts, and Exhibitions in the Hudson Valley and the Berkshires
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We can't effect our transition to an organization that will bring you original multidisciplinary performances and exhibitions, or the essays, reviews, articles, and interviews the arts deserve without your support. Please donate generously. The Arts Press (parent organization of Berkshire-Hudson Arts) is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to Fractured Atlas only and are tax-deductible to the extent permitted by law.

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Support The Berkshire Review and New York Arts with tax deductible donations through Fractured Atlas.

We can't bring you the reviews, articles, and interviews the arts deserve or our new program of interdisciplinary concerts, performances and exhibitions without your support. Please donate generously. The Arts Press (parent organization of New York Arts) is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to Fractured Atlas only and are tax-deductible to the extent permitted by law. Please send contributions other than those made online, i.e. by check, to Michael Miller, Publisher, The Arts Press, 127 East 91st Street, New York New York, 10128. Checks should be made payable to Fractured Atlas, with The Arts Press in the memo line.

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