In 1957 society could be cruel to those who were different. Cathy Whitaker, a young Connecticut housewife and mother of two, is different. When her friends sing of once-a-week sex with their husbands, she is silent. Her husband Frank is different; he is gay. When Cathy learns his truth, she seeks solace with her sympathetic gardener, Raymond, also different, a “Negro,” a “gardening Nat King Cole.” Her neighbors gossip with relish. When Raymond takes her to his neighborhood café where he thinks they will be safe, she is ostracized because there, as a white woman, she is different. Cathy is trapped in a conformist marriage with repression, denial and pretense her only defenses.
G. P. Telemann has never escaped his fate of being on the longer side of compositional quantity over quality. A genius in all musical genres, Telemann produced over three thousand works for every imaginable combination of instruments and voices. While many of his works are lost, what remains has been the core of a Baroque revival since the 1960s, spurred, in part, by many amateur Baroque musicians and ensembles.