Elizabeth Aspenlieder and Angel Moore in Vanya and Sonia and Masha and Spike. Photo Kevin Sprague.

A Singer’s Notes 96: Vanya and Sonia and Sasha and Spike at Shakespeare and Company; The Mousetrap at Dorset Theatre Festival

I heard Matthew Penn’s direction of Christopher Durang’s Chekhov play as a collision of energies—almost a rant against reticent Chekhov and his gazing, yearning characters. The play depends pretty much on the performance of Masha, an aging movie actress. Elizabeth Aspenlieder had all that was needed to make this character work.

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