The major news from Boston was the ascendancy of Andris Nelsons, firming up his place as music director of the Boston Symphony Orchestra, which included a quickly agreed upon three-year extension of his contract into the 2020-2021 season. This announcement was soon followed by the less happy surprise for Bostonians of Nelsons also accepting an offer from the eminent Leipzig Gewandhaus, the orchestra whose music director was once no less than Felix Mendelssohn, to take on that very position, beginning in the 2017-2018 season, thus dividing the loyalties of the young maestro (who just turned 37), though evidently with the possibility of collaborations between the two orchestras. (Remember when some people were complaining about James Levine dividing his time between the BSO and the Metropolitan Opera?)
One day Beethoven got up and went to the house of Dorothea Ertmann, a woman he clearly loved. Her child had died. She had lost her ability to speak. The composer sat at the fortepiano and played for her a concert of late Beethoven that no one else will ever hear. She began to speak. Beethoven thought of music as a changer of things—a power—at its most powerful, a healer. The tale insists that Beethoven spoke no word to Dorothea. Anecdote? There is good evidence. And think of that other more important evidence—the motto he wrote at the top of the Missa Solemnis: “from the heart, may it go to the heart.” Think of the fundamental importance that actual physical sound had for Beethoven, how he relates in the Heiligenstadt Testament that losing his ability to hear made him suicidal. (Think of this also the next time you hear an expert say that he can hear the Beethoven 9th better reading the score than he can in the concert hall.) What healed Dorothea was a performance. The whole occasion was about sound. She made none, Beethoven made the sacred sounds; she spoke.
Mr. Zander, who leads the Boston Philharmonic, has leveraged his considerable communication and educational skills into creating something beyond the mere making of music.