Biava Quartet, Clark Art Institute, Haydn, Kodály, Mendelssohn

It is perhaps not entirely accurate to call the Biava Quartet (named after the distinguished Philadelphia violinist and conductor Luis Biava.) a “young” quartet, since it is already ten years old. During that time they have collected an impressive array of prizes, including the Naumberg Chamber Music Prize and a first at the London International competition. Today they hold the Lisa Arnhold Quartet Residency at the Juilliard School, serving as graduate quartet in residence and teaching assistants to the Juilliard Quartet. This Juilliard connection is not without significance, since, as cellist Jason Calloway mentioned while introducing the Kodály, the Juilliard Quartet were their mentors. During the Biava’s Sunday afternoon concert, the relationship was constantly apparent, not only in their tight ensemble and disciplined rhtyhm, but in their sound, which recalls not so much the mellowed timbre of the Juilliard Quartet today, but the brilliance and bite of their earlier years. On the other hand, the Biava Quartet’s approach to ensemble textures is quite different. They are more interested in the changing, varied textures created by contrasts among the four instruments. The violinists and violist play standing, while the cellist sits on a podium, which gives them a little more acoustic space around each instrument, not to mention brilliance. This was particularly striking in the works on the first half of the program, which of course must reflect their musical interests, especially since both works are seldom played.

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