Deborah Hay as Beatrice and Ben Carlson as Benedick in Much Ado About Nothing. Photo: David Hou.

Much Ado About Nothing at the Stratford Shakespeare Festival

One of the greatest challenges facing any Shakespearian actor is putting on and peeling off various layers of pretense throughout a play. This is what makes Much Ado About Nothing so interesting. Whoever plays the part of Beatrice must pretend she is a woman pretending she is not in love with Benedick, who, in turn, is played by an actor pretending to pretend he doesn’t love her. The actor playing Don Pedro must pretend to pretend to be happy, shirking sadness by means of his clever plot to bring “Signior Benedick and the Lady Beatrice into a mountain of affection the one with the other” (II, i). Whoever plays Hero may well choose to portray her as a young woman pretending to be in love with Claudio, who, in turn, pretends to want her hand in marriage until rejecting her at the altar. The stage is full of characters portraying false feelings while trying to ascertain the true feelings of those around them.

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