Philip Seymour Hoffman in Paul Thomas Anderson's The Master

Paul Thomas Anderson’s The Master, with Philip Seymour Hoffman

Apocalypse then.

As an act of recollection, The Master captures the Fifties with perfect pitch, all the more remarkable because the film’s creator wasn’t there. Two stories collide from opposite directions. One is the story of an invisible man, a World War II veteran who never recovers from combat. The other is a charlatan savant skimming the gullible and rising to become a cult leader, the Master of the title. One life has slipped through the cracks, as adrift as Okies in the Dust Bowl but desolately lonely. The other life is a round-the-clock power play to grab the golden ring.

In our private universe: Wes Anderson’s Moonrise Kingdom

The rise of digital technology in cinema has been a decidedly mixed blessing, and not only due to the concurrent impending demise of celluloid film which it has ushered in. On one hand, it’s become much cheaper and easier to make a film. And on the other…it’s become much cheaper and easier to make a film. Which, when it means that you consequently don’t put much effort into realising the visual element of your chosen visual artform (and that often is the case), is a problem for me.

Modern Flash Dictionary by George Kent (1835). The British Library Board.

Berkshire Review’s Recommended Books and Classical Recordings 2011

I should most likely not distract you from giving a subscription to The Berkshire Review as a holiday gift. We need subscriptions to carry on our work, but there are a few items that have come in for review that I can warmly suggest as excellent gifts. These are not systematic, and they are not always serious, but we do recommend them. Some of them will be reviewed in detail over the following weeks.

Alan Miller, winner of the AJ architectural writing prize, visits Troy, NY.

Alan Miller, a New York Arts / Berkshire Review editor, wins the Architect’s Journal Writing Prize

The winner of the inaugural AJ Writing Prize in association with architecture practice Berman Guedes Stretton has been announced, and New York Arts / Berkshire Review editor Alan Miller has won the prize over six finalists who were chosen from 91 entries to the contest which was launched in June to find the best up-and-coming architecture critic aged under 35.

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