Daniel Lessner: Bach Goldberg Variations

Once again, the Williams Bösendorfer Recital program has given us the opportunity of hearing a gifted younger musician display his musicianship with the singular obstacles of a mismatched instrument in an unpleasant acoustic. A portable acoustical shell has been introduced to remedy Chapin’s muffled sound. I heard a favorable judgement of this innovation at the New England Baroque Orchestra concert, which I unfortunately missed, butit was of little help with a solo piano: the music, instead of sounding as if it were being played in another room with the door partially open, sounded as if it were being played in a tunnel, or perhaps a swimming pool. The Williams Bösendorfer has never been a credit to its justly famed manufacturer, partly, it could be, because of the Berkshire climate and partly because it is too much instrument for the hall. The instrument is extremely loud, and so was the pianist, painfully so, occasionally giving me the feeling of being in close quarters with a mad rhino.

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