It is easy to understand why Shylock, the reviled Venetian Jew, became the focal point of The Merchant of Venice in the latter half of the twentieth century. Though we all felt profound sympathy for those he came to represent, we are all familiar with the abuses that exclusive attention to an otherwise fascinating character led to in the theatre. This play is about much more than Shylock. Yet Interlochen had every right to place Shylock at the center of Merchant once more given that the part was played by David Montee, Director of Theatre Arts at the Academy for twenty-one years. The cast included no less than ten of Mr. Montee’s former students.