David Zinman led this weekend’s Boston Symphony Orchestra concerts, where the big event was the world premiere of John Harbison’s Symphony No. 6, commissioned by the BSO and capping its survey of the Harbison symphonies last season and this. Zinman is a fine conductor, and all went well. He is not a great cultivator of sound or of refined playing, but he has a remarkable sense of musical structure; makes clear, sharp phrases; and sustains a strong rhythm, complex when need be. He opened with Weber’s Euryanthe Overture, which sounded fresh and interesting in Zinman’s hands. It is basically a traditional sonata-form piece, but with unusual moves in development of material, and so made a good prelude to an evening of such music. Beethoven’s Piano Concerto No. 1 in C followed, with soloist Leif Ove Andsnes giving what might be called a “nice” performance—nice tone and phrasing, all a bit polite and restrained, not fully letting go with Beethoven’s prankishness and oddity.
Mark Volpe and his organization pulled off an impressive feat in creating this season at such short notice. Former Music Director James Levine submitted his resignation only after most symphony orchestras, including the BSO, have established their programming for the next season and published it to waiting subscribers. Add to that the need to corral a feasible number of potential candidates for the open position of Music Director. The Boston Symphony’s 2011-12 is not only solid and nutritious, it is even rather exciting—apart from the added piquancy of the search. The fall will be mainly given over to guest conductors who have worked with the BSO for many years, or at least a few times in the past. The serious contenders for the permanent position will begin later on.