The Boston Symphony in the New Year: Levine Returns

The Boston Symphony began the new year with a reduced ensemble, brilliantly conducted by the early music specialist Ton Koopman. The orchestra didn’t attempt gut strings or period winds and percussion in any way, but the players responded intuitively to Koopman’s brisk tempi and sprung phrasing, resulting in a satisfyingly vigorous, if not quite revelatory Haydn Symphony No. 98, the last of his first set of Salomon symphonies, followed by Yo-Yo Ma’s exuberant, somewhat exaggerated performance of Haydn’s Cello Concerto in C, a most welcome and impeccably played symphony by C. P. E. Bach, and a very beautiful Schubert “Unfinished,” limpid in texture and phrased with fine taste and feeling. I’ll say more about this in the context of Alan Gilbert’s almost simultaneous concert, which also paired Schubert’s Eighth with a Haydn symphony of an entirely different kind.

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