Charles Dutoit.

The Philadelphia Orchestra at Davies Hall — A Great Legend Intact — Two Concerts

The Philadelphia Orchestra always WAS the sexiest!

Back in the publicity heyday of art music and the aftermath of Toscanini, Americans knew their five orchestras. It went like this: in Boston you listened to Charles Munch for Gallic excitability. In Chicago, Reiner ruled with a heart of stone but turned out warmer central European renditions than Toscanini had. You flocked to Bernstein for eruptive passion and disreputable energy in New York. And at Severance Hall, in a state of penance, you submitted to the owlish purges of George Szell. But nothing seduced the listener so much as The Philadelphia Orchestra, under the direction of Eugene Ormandy.

Remembering Ormandy – In Case You Were There, Too

Even before this 10-CD commemorative set was issued, I noticed a wash of nostalgia for Eugene Ormandy among baby boomers. He was inescapable for that generation, the progenitor of hundreds of LPs, only a sampling of which are contained here. Ormandy became Leopold Stokowski’s associate conductor at the Philadelphia Orchestra in 1936 and succeeded him two years later, beginning an unparalleled run of 44 years as music director before retiring in 1980, a reign no one will ever duplicate, or would want to. During that time Ormandy led the orchestra between 100 and 180 times a year. That, too, is a staggering statistic given that modern music directors, in their eagerness to spread themselves globally, are essentially long-term guests who drop in to visit their home orchestras for as little as a quarter of the regular season.

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