Exhibitions of progressive new Iranian art have flourished over the last several years, in commercial galleries in the Middle East and in diasporic centers like New York and London. The most recent major contribution to this ongoing introduction is Iranian Arts Now at Cité International des Arts in Paris until July 24. Though the emergent profile of contemporary Iranian art has been supported by dealers like Leila Heller in New York and the Silk Road Gallery in Tehran, broader public exposure is being facilitated by museum exhibitions, and notable ones include Iran Inside Out at the Chelsea Art Museum in 2009 and a current exhibition, Contemporary Iranian Art from the Permanent Collection, at the Metropolitan Art Museum.
Joanna Gabler will be exhibiting her most recent works in the David and Joyce Milne Public Library in Williamstown during the month of November.
Joanna Gabler is a painter, photographer and digital artist who has lived and worked in Williamstown over the past 9 years and exhibits online as well as locally, in New York, and in Warsaw, including her most recent exhibition of Orchid Mandalas in Warsaw University Botanical Garden this past September.
As an avid walker and photographer she became totally immersed in the beauty and splendor of the Nature in Berkshires and spends many happy hours walking in the woods and taking pictures. The result comes as a several thousands of photographs in her archive and a new way of working on her art, which she developed.
She describes it as painting with photography and calls her images “transcapes,” or transfigured landscapes.
This exhibition at Williams College Museum of Art is supplemental to the immense retrospective installation at MassMoca in North Adams. In some surprising ways it reveals more of the evidentiary by-products of the thought process of the seminal conceptual artist than the spectacular realizations at MassMoca.
With the chronological retrospective exhibition of the wall drawings of Sol Lewitt, Mass MoCA has duly taken its place on the stage as a magnet for contemporary art.