James Levine Withdraws from Met Conducting Assignments Through the End of Next Season

The Metropolitan Opera has released the following announcement, which comes as no surprise. What struck me above all is that Fabio Luisi was not able to conduct the last two performances of Siegfried and Götterdämmerung on May 9 and May 12 matinee. I very much hope that the responsible parties will consider Jonas Alber for these dates. Former Music Director of the Braunschweig Orchestra, he filled in for Mr. Luisi when he withdrew from his commitment, as Music Director of the Dresden Staatskapelle, to conduct theRing at the Semperoper in Dresden. I had the good fortune to attend Mr. Albers’ second performance of Das Rheingold and this only performance of Götterdämmerung. This he conducted without rehearsal, and it was nonetheless superb. The Rheingold was the most compelling I have heard in live performance. He was in fact invited to conduct these performances at the behest of the members of the Staatskapelle, who were delighted with his work in their first Rheingold. Albers’ approach to Wagner is grounded in his enthusiasm for 20th century and contemporary music. Textures were transparent and full of finely-wrought detail. See my review of the Dresden Ring for more. I know Mr. Alber is interested in conducting in the U. S., and American audiences should have the opportunity to hear the work of this extraordinary conductor.

Changes and Passages

As sundry acts of God and man are manifested, unexpected changes, substitutions, and permanent transitions abound.

I can’t resist beginning on a happy note: The Berkshire Review for the Arts has exceeded 1,000,000 hits in a month. The numbers game is not our priority here at The Review, but a million is a significant and symbolic number in the esoteric world of Internet traffic statistics.

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