Jonathan Nott has a light touch. The subtlety and clarity he encourages from each instrument, treating each with equal importance, allows in a way the music to speak for itself. He does not try to do too much to put his impression on the piece. His conducting is particularly sublime in the very soft sections of the music where he is not afraid to bring the sound level down to a barely audible level, but still with great clarity and texture. In this way the Violin Concerto, “Lost Art” by Brett Dean is well suited to his style. The Australian composer was commissioned to write the piece in 2007 by the Cologne Philharmonie and the Royal Stockholm Philharmonic for Frank Zimmermann to whom the piece is dedicated. It is now heard for the first time in Sydney.
Mark Volpe and his organization pulled off an impressive feat in creating this season at such short notice. Former Music Director James Levine submitted his resignation only after most symphony orchestras, including the BSO, have established their programming for the next season and published it to waiting subscribers. Add to that the need to corral a feasible number of potential candidates for the open position of Music Director. The Boston Symphony’s 2011-12 is not only solid and nutritious, it is even rather exciting—apart from the added piquancy of the search. The fall will be mainly given over to guest conductors who have worked with the BSO for many years, or at least a few times in the past. The serious contenders for the permanent position will begin later on.