Ups and Downs of the Boston Music Season, mostly Boston Symphony with Andris Nelsons, 2016-2017

The Boston Symphony Orchestra’s 2017 Tanglewood Music Festival, very successful by many reports, has just concluded, with the new season in Boston to begin very soon. I offer here the perspective of a look back at the preceding season in Boston, commenting mostly on BSO, but also a few other events. I was able to attend only one Tanglewood concert this summer: the impressive concert performance of Wagner’s Das Rheingold, conducted by BSO Music Director Andris Nelsons, with a large, excellent cast. A good sign for the future.

Kate Abbruzzese and Jonathan Epstein. 'The Merchant of Venice.' Shakespeare & Company 2016. Photo John Dolan.

A Singer’s Notes 126: Lenox Nights—The Merchant of Venice at Shakespeare and Company and Fellows at the Festival of Contemporary Music at Tanglewood

The Merchant of Venice has always been called a problem play. I might call it a miracle play. Here is why. There is a role in this play which dominates—with fewer than 350 lines. In the hands of Jonathan Epstein, Shylock was believable, unavoidable. It is important to remember that the play comes to an end without Shylock, although there is some of his equivocation in his daughter, clearly. In Mr. Epstein’s performance I heard a rare understanding of how the role finds its power. His rich voice ranged very little from loud to soft, fast to slow.

George Benjamin conducting his Opera, Written on Skin, with the TMC Orchestra in Seiji Ozawa Hall. Photo Hilary Scott.

The Long and the Short of it: Tanglewood’s 2013 Festival of Contemporary Music

This year’s Festival of Contemporary Music at Tanglewood had a distinguished guest director-curator, the French pianist Pierre-Laurent Aimard, who is as admired for his performances of Elliott Carter as for his refined and powerful Debussy and Bach. He had something to convey to his audience, too. He wanted us to know the work of two living European composers important to him: the 53-year-old Italian Marco Stroppa and the 77-year-old German Helmut Lachenmann, figures little known in this country, although Stroppa was a student at MIT in the 1980s and in 2008 Lachenmann was a visiting professor of music at Harvard.

Preview of the Tanglewood Festival of Contemporary Music

This summer’s Festival of Contemporary Music is so different from its predecessors that it really ought to be given a different title. In fact, “contemporary” music, in the sense of brand new works by up-and-coming young composers, will be conspicuously absent. Perhaps “Retrospective of Seventy Years of ‘New’ Music” would offer a more accurate description. In the past, the Fromm Foundation has offered commissions for new works to be premiered during this week with the composers presiding; this summer, the five-day event will look back on the entire seventy years of Tanglewood rather than the fifty-four years of the Festival of Contemporary Music, as supported by Fromm.

WP2Social Auto Publish Powered By : XYZScripts.com