In this special version of the popular annual “Tanglewood on Parade” concert, the 75th anniversary of the festival as we know it (more or less) was duly celebrated. On August 5, 1937, the Boston Symphony Orchestra performed an all-Beethoven concert under Music Director Serge Koussevitzky. (I have already mentioned this in my review of the commemorative repreise of the same program on July 6.) This was the first concert of the Berkshire Symphonic Festival, as it was then known, both with the Boston Symphony and on the same property, Tanglewood, which has been the home of the orchestra ever since.
Last November Mark Volpe, Managing Director of the Boston Symphony Orchestra, Anthony Fogg, Artistic Administrator, and members of the orchestra presented the 75th anniversary season of the festival in a low-key event, which, as relaxed and friendly as it was, brought back memories of old Boston in its restraint. No one attempted to hide his pride in this important anniversary of what is undoubtedly the key music festival in North America, but nobody did anything that would be out of place at the Somerset Club either.
This summer’s Festival of Contemporary Music is so different from its predecessors that it really ought to be given a different title. In fact, “contemporary” music, in the sense of brand new works by up-and-coming young composers, will be conspicuously absent. Perhaps “Retrospective of Seventy Years of ‘New’ Music” would offer a more accurate description. In the past, the Fromm Foundation has offered commissions for new works to be premiered during this week with the composers presiding; this summer, the five-day event will look back on the entire seventy years of Tanglewood rather than the fifty-four years of the Festival of Contemporary Music, as supported by Fromm.