Ronald Gorevic and Larry Wallach will play Beethoven Violin Sonatas 3, 5, and 10, completing their complete traversal.

On Sunday February 16, Ronald Gorevic and I will complete our year-long project of performing all ten of the Beethoven Violin Sonatas, which we began last March.  It has been a great journey, letting us discover new perspectives on familiar works and familiarize ourselves with works that we had not played before.  
It was wonderful to realize that there are no “lesser” works in this canon; the ones that are infrequently played are actually unjustly neglected, but every sonata is great Beethoven, full of his power, intensity, gravity, tenderness, and humor (actually, a surprising amount of humor!).  

Two-Piano Recital at Simon’s Rock: Manon Hutton-DeWys and Larry Wallach will Play Brahms and Stravinsky, September 1 at 7:30

I am excited to be performing repertory for two pianos with the wonderful pianist and now colleague at Simon’s Rock, Manon Hutton-DeWys.  We will be matching our trusty Steinway B (on the left in the picture) in Kellogg with a newly acquired Mason and Hamlin BB (on the right) to present great compositions that exploit the medium of piano duo, in sonority somewhere between solo piano and full orchestra.  Our varied program includes Brahms’s Sonata, an alternate version of the great Piano Quintet in F minor; Debussy’s late, dramatic “En Blanc et Noir” composed during World War I, with poignant expressions of French patriotism; Stravinsky’s spare, neoclassical Sonata, and Copland’s joyful “Danzon Cubano.”  We invite you to celebrate Labor Day weekend with us on Saturday, September 1 at 7:30.

Artistic Director Gili Melamed-Lev

The Concerts at Camphill Ghent 2016 – 2017: Season Opening Concert Coming Up, October 15, 3pm

A relatively new chamber music series in our area, The Concerts at Camphill Ghent, extending through the rather sparse autumn through spring months, has just recently come to my attention, and it looks well worth a season subscription. Every concert is compelling, and they all fit together as a whole. Clearly some strong consideration has gone into the selection of both the music and the musicians. The series was founded and is managed by a musician, the outstanding pianist, Gili Melamed-Lev, who oversees the programming and participates extensively herself. This is by no means exceptional in itself, but the particular stamp she has put on it stands out.

Emily Kalish and Larry Wallach will play American Violin Music—Dvořák, Ives, Bolcom, Wallach on Sunday afternoon, October 27, at 4 pm in the Stockbridge Congregational Church

I am happy to let you know that I will be collaborating with Emily Kalish in an afternoon of music-making that is sure to be fun, both for you and for us. We are doing a program of American music for violin and piano, some brand-new, and some American by virtue of style and place of composition.

We will play serious works by Dvorak (but made in America!) and Charles Ives (including “In the Barn”), along with a new piece I composed for Emily called “Fiddling Alon(g/e)” (read that any way you like). There will also be some piano ragtime by Lamb and Bolcom, arranged for our two instruments. We perform on Sunday afternoon, October 27, at 4 pm in the Stockbridge Congregational Church next to the Town Offices.

The Berkshire Beethoven Piano Project

There is a new musical enterprise making its debut on Sunday June 2 (at 5 pm in the Kellogg Music Center, Bard College at Simon’s Rock). We call it “The Berkshire Beethoven Piano Project” in the optimistic belief that our program of four Beethoven piano sonatas, performed by four Berkshire pianists, will be the first in a series of such events. (With 32 sonatas to choose from, that means we might be able to do this seven more times!)

Plectra, Plectra: Harpsichord Festival at Simon’s Rock, September 26, 2009

This year, the fiftieth anniversary of Wanda Landowska’s death, and the one hundred thirtieth anniversary of her birth, while celebrated with some new recordings of her uniquely affecting keyboard playing, has passed by the attention of most music lovers. In Lakeville, Connecticut, though, where Landowska spent the last years of her life, 1949 and 1950, harpsichordist/organist/choral director Christine Gevert has insured that her musical legacy should receive ample notice. From May through October, Gevert’s Crescendo Ensemble has offered concerts, film, and lectures celebrating Landowska’s achievements. As part of this commemorative festival comes this remarkable celebration of the harpsichord, in singular and in plural. It is largely Landowska’s due that the harpsichord was revivified in the twentieth century for early music performance; as well, its reappearance, and Landowska’s championing recitals, offered modern composers inspiration for a wave of newly composed works for this ancient instrument.

WP2Social Auto Publish Powered By : XYZScripts.com