This summer’s Festival of Contemporary Music is so different from its predecessors that it really ought to be given a different title. In fact, “contemporary” music, in the sense of brand new works by up-and-coming young composers, will be conspicuously absent. Perhaps “Retrospective of Seventy Years of ‘New’ Music” would offer a more accurate description. In the past, the Fromm Foundation has offered commissions for new works to be premiered during this week with the composers presiding; this summer, the five-day event will look back on the entire seventy years of Tanglewood rather than the fifty-four years of the Festival of Contemporary Music, as supported by Fromm.
I first heard Minsoo Sohn play at an Emmanuel Music Bach concert in January 2008, where he played with a chamber group as well as solo, in a couple of Busoni arrangements of Bach chorale preludes. I was so impressed with the musicality and seriousness of his playing, that I made a note to follow his future appearences. Although he has been very active, this has been my first opportunity to hear him play a full solo recital.