The Tree of Life, by Terrence Malick

First disobedience. Sticklers are fond of pointing out that Proust was not remembering things past but in search of lost time, as the original French title says. So is Terrence Malick. His most Proustian film to date is The Tree of Life, which is now awing and stumping audiences, trailing a Palme d’Or from Cannes in its processional through movie houses where most of the audience, children of Star Wars and Scooby Doo, stand as amazed as Nebudchadnezzar reading God’s message in fiery letters. The film is autobiographical and philosophical, like Proust’s A la recherche, and just as maannered in its stylized language, although in this case the invented diction is visual.

Life in a Day

Life in a Day, a YouTube user-shot feature video, premiered at Sundance and streamed live in select countries yesterday on YouTube (a theatrical release is planned for later this year). It was produced by Ridley and Tony Scott and assembled by Kevin MacDonald together with a team of editors (headed by Joe Walker) from 81,000 raw video clips shot and submitted on 24 July 2010 by the YouTube Community — potentially anyone with a camera and an internet connection.

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