Howard Pyle, Early Printers, etching

Your Paid Subscription to The Berkshire Review: how to get the most out of it.

From the beginning I thought of The Berkshire Review as a traditional magazine, distributed electronically. All of us write traditional essays and reviews, with introductions, expositions, arguments, and conclusions. None of us write blog entries, which usually lack that kind of structure, are grounded more in opinion than on knowledge, and are innocent of the extensive research that goes into many of the articles and reviews we publish. The only difference is that, since we don’t have to buy paper and print ads on that paper to pay for it, our articles can be as long as they need to be in order to make their point. We observe no formulaic lengths or formats. By this I do not mean to disparage bloggers in any way. Many of them are experts in their fields, prepare their posts through research, and are effective writers. Blogging is a mode of writing unto itself. The decision not to pursue it was a personal one…

A Letter from the Editor and Publisher, Michael Miller

It has been a terrific pleasure, since the launch of the Berkshire Review on September 24, 2007, to provide you with a steady flow of commentary on all the arts all around the world, wherever one of our writers happens to be, without concern for the financial underpinnings of the initiative. I have been supporting our ongoing work with my own funds, and our contributors write as volunteers. It has been a pleasure to watch our readership grow—in the immediate way only online stats can provide—to receive your words of appreciation, and to discover talented, expert writers of all ages, sometimes among friends and colleagues I have known for years and sometimes in unexpected, even somewhat surreal, ways. I hope you have enjoyed the Berkshire Review (and its sister publication, New York Arts) as much as I have.

The Berkshire Review now accepting paid subscriptions. You must subscribe in order to access most content. All pages, most previews, and some articles still free.

The Internet and the ever more sophisticated publishing technology it offers have made it possible to provide the best thought and writing we can achieve without having to raise capital for printing and distribution, and all the other expenses involved in a kind of publication, which, I regret to say, is headed towards obsolescence in our particular “niche,” the arts. Many excellent print publications in the arts have had to shut down, and others have tried to survive by opening themselves to commercial interests. Newspapers and weeklies, struggling for survival themselves, have been radically cutting back their staffs in the arts, so that all that is left are quick impressions of a popular, consumeristic nature. We believe above all that the arts are too important for the life of communities and human civilization to be treated as a casual amusement or as a variety of shopping. Even if the latest technology has allowed us to present our wind-powered labors—looking both to the past and to the future—to a substantial audience in a form that, while making the most of multimedia, remains primarily based in text, the costs involved in creating this content are considerable.

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