Verdi, Macbetto, Boston Lyric Opera

Shakespeare was a great inspiration to Verdi, as he was to Berlioz and to many other nineteenth-century composers, writers, and artists of all kinds. Opera Boston recently presented Berlioz’s Béatrice et Bénédict, adapted from Much Ado About Nothing; and before this late work Berlioz had, of course, written his great “dramatic symphony” Roméo et Juliette and an early King Lear Overture. Verdi wrote Macbetto in 1847 (and revised and added to it later), his tenth opera, and just on the cusp of his great middle period that would include Rigoletto and La Traviata He concluded his career decades later with the magnificent Otello and Falstaff, works that rival in greatness their Shakespeare sources. (Maybe Falstaff more than rivals The Merry Wives of Windsor. As for Otello, ages ago I was at a splendid Metropolitan Opera production—Levine, Vickers—and on the way out encountered a prominent Renaissance literature scholar from Princeton—“I think it’s greater than the play!” he gasped.)

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