Dominique Labelle

A Singer’s Notes 141: A New Leader for Bach at New Year’s, and some Favorite Memories from 2017

Many remarkable performances, a few have stayed in my ear. Principally among them are the beautiful singing of Dominique Labelle with Aston Magna. This marvelous artist has an inborn purity to her singing which requires no special treatment. She has a stillness, in her demeanor and singing, which is second to none. I would happily hear her sing every day.

A Singer’s Notes 32: Two in Hubbard – Menotti’s The Medium and Sondheim’s Merrily We Roll Along

Hubbard Hall is a space which seems to fit its performers ideally. No pretension, no million dollar sets, and a willingness to use local actors if they are good enough. Every show I have seen there has gained a directness and an honesty from this space. Director Kevin McGuire’s Merrily We Roll Along, performed by the Theatre Company at Hubbard Hall, was clearly articulated. The artificiality of the musical itself was not entirely overcome, but there was a clear way through the episodic book. I can’t say it seemed like great Sondheim. It sounded like Sondheim, but it lurched and iterated its fundamental points all too often.

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