Stepping down a semitone at a time starting from Spohr’s E Major, seeming to gravitate to the famous Tchaikovsky sextet in D Minor, this group of young musicians brings quite an ambitious program. Despite some uneven playing of the first piece, they became stronger and stronger to give a very satisfying take on the last.
Marlboro Music—once again—is celebrating its 60th anniversary, which I have already celebrated in an extensive retrospective article last year. The revered summer music school and festival has a peculiar double anniversary, because its inaugural year was very small indeed, and rather precarious. In the second year, everything was more organized, both in scheduling and financially, and the cherished summer event took off, to become what it is today—which, miraculously, is not terribly different from what it was sixty years ago. It is larger and more professionalized, but it still retains its original feeling of intimacy. The younger participants—they are not called students—still have the same extensive rehearsal time with their mentors. And the public can still look forward to concerts of the highest quality, in which seasoned masters and their less-experienced colleagues make splendid music together.