A close look at the notes for this 2-disc set will give one some insight into the splendeurs et misères of the contemporary classical recording industry. A grant from Fond for lyd og bilde, the Norwegian arts organization, and Leif Ove Andsnes’ Gilmore Artist Award funded this recording, making it possible for a major commercial label, EMI, to release a recording of comparatively little-known music by a great composer, played by internationally renowned musicians. Mr. Andsnes owns the copyright and has licensed the recording to EMI. Presumably the recording company didn’t think that the famous names sufficed to counterbalance the obscurity and dubious reputation of the music, for unfortunately the trios, especially the second and third, were lumped in with the rest of what the older literature considered “bad Schumann,” commonly disparaged as unmelodic, difficult, and confused. The rediscovery of these fascinating and very beautiful works has been one of the great pleasures of the past twenty years, once musicians learned how to play them and audiences, still slowly and partially, have learned how to listen to them.