Omar Sangare founded the Dialogue One Festival for solo theater in 2007 at Williams College, where he had just assumed a position as Assistant Professor of theater studies. Before that, he had built up a stellar reputation as a writer, poet, singer, and actor in his native Poland, receiving a Ph.D. from the Theater Academy in Warsaw, where he studied with the great film director, Andrzej Wajda, among others. His many talents came together in solo theater, a field in which he is well-known in Central Europe and at international festivals. He was voted Best in Acting by the New York International Fringe Festival in 1997 for his one-man drama, True Theater Critic. The same year Sangare was invited to the Jerzy Grotowski Theater in Wroclaw, Poland, where he won four prizes at the Theater Festival. The monodrama was presented in Poland, Canada, England, Ukraine, Germany, and the United States, where it recently received the Best Performance Award at the San Francisco Fringe Festival.
The pleasant, but potentially mind-numbing routine of holiday entertainment was relieved most satisfyingly this past weekend by Dialogue One, a new international theater festival of solo performances at Williams College. Its founder, Omar Sangare, Assistant Professor of Theater at the College is to be thanked warmly for this serious and extremely stimulating festival, which will be an annual event. It consists of an evening of performances by four of Professor Sangare’s students, Mme. Tussaud, LIVE, which took place on Thursday evening and was repeated on Friday and a day of performances by professional actors from New York, Chicago, and Germany. The festival concluded with a ceremony at which three prizes were awarded by a jury consisting of Williams faculty and students as well as outsiders, one for a student performance, another for a domestic performer, and the third for an international performer. The solo performances were without exception serious, even intensely so, and they provided some extremely welcome intellectual ballast for the season. We had an opportunity to appreciate the impressive talent which exists among the Williams students, both as actors and writers, and to see some of the best and brightest among the young professional actors, who are working in this extremely challenging genre. These were joined by a distinguished mature actor from Poland, Herbert Kaluza, who has been working in Germany in recent years. His linguistic abilities had ample scope in the quadrilingual version of Isaac Babel’s “The Story of my Dovecote.” Americans get regrettably little exposure to theater in other languages, and this solo performance brought together the distinguished traditions of Poland and Germany in a concentrated and accessible form. And what a powerful contrast to the American approaches we’d seen earlier in the day!