n 1862–63 Anton Bruckner composed the Overture in G minor. In contrast with the earlier Four Orchestral Pieces and the next Symphony in F minor, the Overture appears a much more mature work. Bruckner’s characteristics are already present: the opening subject with his octave interval in unison – as that of the main theme of the Ninth Symphony, the full orchestral chords followed by semiquaver runs, and the second slower subject with its large interval leaps, which is prefiguring the descending motive of the Adagio of the Fifth Symphony. The work contains at bars 271–275 a descending scale similar to the “Sleep leitmotiv” of the not yet composed Act 3 of Wagner’s Walküre.
The adventurous Momenta Quartet will make a return appearance at Bard College at Simon’s Rock’s South Berkshire Concerts on Saturday, February 28 at 8:00 p.m. in the McConnell Auditorium of the Daniel Arts Center. A pre-concert conversation with the performers in the Liebowitz Black Box Theater at 6:45 pm will give concertgoers the opportunity to hear a discussion of the works beforehand.
Many of you know that my esteemed colleague Lucy Bardo is one of the first and best American viola da gamba players through her work with such prestigious and pioneering ensembles as the NY Consort of Viols and Calliope and her concertizing here and abroad. Her long career has paralleled the growing awareness of and love for the instrument among the public in the United States over the past half-century or so. I have enjoyed the privilege of performing with her on many occasions—she is a total musician whose playing blends subtlety and nuance with power and authority.
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Please join us for a showing of Gasland Part II on Monday, May 12th at 7pm at 218 Murdock Hall at MCLA in North Adams.
This event is organized by the MCLA Environmental Studies Department & Caretaker Farm.
For more information about this event, please contact Elena Traister (Elena.Traister@mcla.edu) or Bridget Spann (email@example.com).